Fine Art

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  • The East End my Birthright

    A memoir of Albert Turpin’s remarkable life illustrated by Turpin’s paintings and drawings as well as cuttings, posters and photographs.

  • Lancelot Ribeiro book cover

    An exploration of the work of Lancelot Ribeiro, one of the most original of the Indian artists who settled in Britain after the Second World War.

  • From Bow to Biennale

    REVISED WITH NEWLY DISCOVERED MATERIAL

    This revised edition includes exciting new material that has emerged since the publication of the first edition, partly due to the East London Group website (www.eastlondongroup.com) and personal contacts.

  • Stop the War Book Cover

    Posters and graphics, cartoons by Steve Bell and Martin Rowson, art works in support of the campaign by Banksy, Jamie Reid, Peter Kennard, Ralph Steadman, David Gentleman and Billy Childish.

  • The Aesthetic of beuron
    Introduction by Hubert Krins
    Afterword and notes by Peter Brooke

    The first translations into English of the Benedictine monk Desiderius Lenz, who as a painter and sculptor in the late nineteenth century anticipated many of the ideas associated with twentieth-century art.

  • From Cubism to Classicism

    In the two essays in this book, written in the 1920s, Gino Severini, the Italian Futurist painter living in Paris, and Albert Gleizes, painter and co-author of Du Cubisme, the first important theoretical defence of Cubism, reflect upon the central principles that guided painting from the Renaissance to the challenge of Cubism and Futurism in early years of the twentieth century.

  • Art and Religion Book Cover

    A comprehensive theory of the history of art and the evolution of modern art and discusses twentieth century painting in the light of the changes which have occurred in other disciplines, notably mathematics and the physical sciences, and the influence of religion.

  • Berkeley Protest Posters Book Covers
    with an introductory essay by Barry Miles

    4973: Berkeley Protest Posters 1970 reproduces a collection of 136 handmade posters, mostly silkscreened on recycled computer paper, produced by students in the Political Poster Workshop in Berkeley, University of California, to protest against America’s war in Vietnam and the decision of the Nixon administration to take the war into Cambodia. The numbers 4973 in the title were thought to protect the posters from being removed by the Berkeley Police Department.